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The truth. A revolutionary mind, captivating with every word. Like oxygen, Tongo Eisen-Martin gives life. His style is electric and infectious. A soul genius.



As a poet and a human being, how important is the power of word?

The power of the word, or we can pan out and say the power to define the world, is departure point of liberation. To be a slave is to have your identity, the totality of reality, and the relationship between your identity and the totality of reality defined by people who would enslave you, wielding forces external to you. Also, we see this process of alienation of phenomenal definition being facilitated by violence.


It’s not that an oppressor is actually more intelligent or charismatic. Rather, they have the psyche to wield insane violence. Or the psyche to create a social reality that is nothing more than the normalization and crystallization of genocide. And so (and this is not an original thought of mine) the first step in joining a liberation process is to reabsorb your powers of defining yourself and reality.



An educator and mentor against mass incarceration and extra-judicial killing of Black people. Can you share with us the importance of this role?

Mass incarceration and extra-judicial killing are the true expression of this society’s relationship to non-white people; which is one of permanent war. And so contributing to struggle here is a solid entry point into the historical process. Here is a sure site for intervening in oppression. But ultimately we have to grow up to the fact that entry point is nowhere close to final showdown. And that all single issues struggles are just the scaffolding of a broader movement to take the power to determine reality out of the hands of the ruling class. Especially in the United States where the ruling class has been brilliant at absorbing single issue resistance into the narratives of the system being among other things the journey of reform, even redemption.


We have to stop looking at social and ecological reality as a movie starring systems of various governance as protagonists; and get down into the realities of people. Plain people killing. Plain people they kill. Plain people exploiting labor. Plain people they exploit. Plain people profiting off of a pandemic. Plain people dying for nothing. Plain people incarcerating etc. Then we can figure out what plain people can do to transform reality to one that expresses and protects human rights and human curiosity.


How can creativity influence growth and change?

If you look at growth as the result of dialectical processes, creativity is crucial in determining how much you can synthesize from contradictions. Creativity is what makes contradiction workable.


Also creativity facilitates culture outside of oppressive hegemony or evidence that despite how big and bad any of history’s war machines have been, the majority of the universe exists outside of oppressive hegemony. And further, through creativity, the universe dialogues with itself.



Can you share with us one of your favourite lines from one of your poems?

“Today I watched capitalism walk on water, and people play dead, so that they could be part of a miracle”


Instagram: @_tongogara_



By Guest Writer: QADIM ABDUL MATIN


“Hey yeah!

Everybody run run run

Everybody scatter scatter

Some people lost some bread

Someone nearly die

Someone just die

Police dey come, army dey come

Confusion everywhere

Hey yeah!”

- Fela Kuti (Sorrow, Tears and Blood)


In a time of unrest. Uncertainty. There came a light of hope. A wave of strength in unity. The tongue of the oppressed magnified by a million. Imagine that sound. The chants. The cheers. The jeers. It’s so liberating!


It seems the 1960s were a time of “had it up to here” around the globe. Western Africa, in its post colonial disarray, wanted change. But even more so, security. Fela Kuti, pre-med student turned professional musician, became that security with his sounds and his actions.



Although Afrobeat began in Ghana in the 1920s. Fela popularized the sound across Africa. And the world over in the 1960s and 1970s.


“Seven minutes later

All don cool down, brother

Police don go away

Army don disappear

Them leave Sorrow, Tears, and Blood

Them regular trademark!”

- Fela Kuti (Sorrow, Tears and Blood)


Fela Kuti was inspired by the Black Panthers. His music is infused with socio-political critique and Yoruba proverbs. Experimenting with contemporary sounds. Nigerian harmonies and rhythms mixed with American jazz, soul, and funk. Afrobeat was revitalized.


That big band, high energy sound. The world music stage was introduced to the continental vibe. Influenced by the popular. Improvised by the paupers who would be kings. The expression is heartfelt. And their songs can be as long as 30-40 minutes.


Femi Kuti, Fela’s son, carries on the tradition with his own rendition. As well as artists Ayetoro, Antibalas, and Chicago Afrobeat Ensemble.



In similar fashion to Rap, Afrobeat has been super popularized. “Afrobeats” is the genre spawned from Afrobeat and is not to be confused. Like original Rap spawned the “Hip Hop” genre. “Afrobeats” content has been watered down for party and bull...ahem.


Afrobeat, the multi genre, Yoruba, politically fuelled, power packed music for the truly Hip (no “ster”).





Poignant, witty, striking and refreshing. Rich Simmons creates art that captures the golden age of comics, fusing the imagery with contemporary topics.


A subtle beauty, with a powerful message! Go check him out - richsimmonsart.com

Your work is humorous whilst conveying a serious message, what do you wish to represent? I think its important to show depth in my art, just as there’s different layers within my personality. I love to tell stories and touch on interesting subject matters but sometimes a piece needs a more serious touch, and others a more light hearted feel. The job of an artist is to evoke different emotions in people and I want to be a catalyst for a broad spectrum of different reactions with different pieces.


It would get pretty boring if all the work looked the same and had the same emotions attached to it. Got to be tactful and approach different things with different sensitivities and attitudes and still try and create something with substance that creates an emotion or discussion at the end.



Who are you influences? My biggest influence from a creative viewpoint is Leonardo da Vinci. I love that he was so insatiably curious, inventive and passionate about so many things. He was an artist, an engineer, a designer, an inventor, a scientist, mathematician and everything in between.


I never want to just be stuck in the art box. I have so many passions I want to explore and creative releases waiting to be showcased and I try and take that renaissance approach to my life and work too.


I’ve just written my first book, I’ve got my Art Is The Cure project to promote creative therapy and mental health awareness and I’m also developing a technology project so I like to use my mind and curiosity in a lot of ways too.

Is there a piece of art you have created that is particularly special to you, and why? Picking a favourite piece of art is like picking a favourite child, everyone has a favourite but it would be wrong to pick just one. I love the reflections girls and how that style allows me to create narratives and put spotlights on different things. It adds a human connection by experiencing something through someone else and feeling their emotions whilst seeing what they are.


I loved the impact my superman kissing batman ‘between the capes’ piece had and how it opened discussions about gay equality and what it takes to be a hero in society. That piece opened so many doors to me, from my first museum show including that piece to Warner brothers reaching out and getting to meet the actors who play superman and batman.


Its incredible how a piece of art, a stencil and some spray paint that I created in my studio, can have such global implications and allow me to travel the world, meet amazing people and leave my mark in a small way on the history of art and culture.



What impact would you like to make on the world? I want to be more than just an artist. With my Art Is The Cure project, I’m trying to put a spotlight on mental health through creative therapy and inspire people to use art in new ways to find healthy releases. I want to take my story telling passions I developed through art and release books and comics in the future in ways that I wouldn’t be able to do with just a painting.


I have a lot of other goals to connect the creative industry, inspire hope and change and make people smile along the way. I may never go down in history books next to da Vinci, but if I can have a small impact in different ways then I would consider that a legacy worth leaving when I’m done.



All images by and courtesy of Rich Simmons


Art for sale: store

Instagram: @richsimmonsart

Art Is The Cure: @artisthecureorg

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